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Tuesday, October 21, 2014
Thursday, October 2, 2014
| Leif Vollebekk spent two years searching for perfect takes. This search took him from his home in Montreal to a studio in Manhattan, from a farmhouse in Woodstock, NY to a mansion outside Paris, and the result is a dusty, polished, new, old record called North Americana. "I wrote the songs, I found the best band in the world, and then all I had to do was find the right studio, for the right take," he says. "And it took forever." After his 2010 debut, Vollebekk knew the kind of album he wanted to make next: a record like the ones he loves by Gillian Welch or Ryan Adams, that feel old and familiar even when they're new. But also a record that speaks to the listener through its lyrics, with songs "that can hold up in a storm," that are packed full of perfect little mistakes. So he started writing. Ten new songs, the best he had ever written, with lines about love and the end of love, about journeys and homecoming, about the death of friends and drinking yourself dry. Now Vollebekk laughs: "I thought the record was done when I was finished writing the songs. 'All we need to do is record it!'" But when you're searching for the perfect take, recording is no small task. It happened only piece by piece, session by session, song by song, over the course of seasons. The players were these: Vollebekk, singing, playing guitar and piano, harmonica, rusty fiddle on "When the Subway Comes Above the Ground"; the jazz musicians Hans Bernhard (bass) and Philippe Melanson (drums). "I wanted to be able to roam with them wherever I go," Vollebekk says. Arcade Fire's Sarah Neufeld played violin, arranging her own parts. Joe Grass played pedal steel, and Adam Kinner played tenor sax. The heart of the songs were always recorded live, to tape. Old school, spontaneous, one real captured moment. To find these moments, they travelled. To Montreal's legendary Hotel 2 Tango studio, working with Howard Bilerman (Arcade Fire, Coeur de Pirate, Godspeed You! Black Emperor). To New York City, working with Tom Gloady (Ryan Adams, Sigur Rós, Patti Smith). To La Frette studios, in La Frette-sur-Seine, France. And then back to Montreal, for one song at Breakglass studios. Vollebekk even tried recording with John Simon, the producer whose credits include Music from Big Pink and Songs of Leonard Cohen. At his home in upstate New York, Simon listened to "Cairo Blues," then travelled up to Montreal to record it. "There was just not a good take," Vollebekk says. "I ended up doing it a few months later, again at the Hotel, between takes of something else and that's just how it went." North Americana took years. "All this time," Vollebekk says, "trying to get one take." But the result is a beautiful, alive, human shambling ballads, noisy folk songs, vivid portraits of a 27-year-old's watercolour life. "I feel like I created a record from 1970something that no one's heard before," Vollebekk says. "I'm haggard and this record is all I got." http://leifvollebekk.com/ Opener TBA Doors: 6:30pm Show: 7:00pm All ages event. Limited seating available. Call 845.469.9459 to reserve seats. |
Wednesday, September 24, 2014
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Wednesday, August 27, 2014
JUANITA GUCCIONE: DEFIANT ACTS
Presented with Weinstein Gallery
On view September 13-November 1, 2014
Opening Reception: Saturday, September 13, 5:00pm-8:00pm
Lecture: Susan Aberth, "Women in Surrealism" Sunday, September 14, 2014 3:00pm
Gallery Hours: Monday-Friday 10:00am-3:00pm, nights and weekends by appointment
In Seligmann's Studio
Juanita Guccione (1904-1999) is one such artist whose work--and life--mirrored the radically creative and philosophical underpinnings of Surrealism. After a childhood in Massachusetts and Brooklyn, Guccione became a fashion model in New York City in the 1920s; rather than falling into the romantic role of 'muse,' she studied at the Art Students League before venturing to France, Italy and Greece, supporting herself through portrait commissions. From there she sailed to Egypt, eventually settling in 1931 in Bou Saada, an artists' colony in Algeria, amongst the Ouled Nail tribe. Traveling among Bedouin nomads in the Sahara, she produced a diverse oeuvre of portraits and landscapes that in1935 would be exhibited at the Brooklyn Museum, alongside works by Jackson Pollock and Mark Rothko. After the birth of her son in 1934, Guccione returned to New York, designing murals with David Alfaro-Siqueiros for the Works Progress Administration and studying for seven years with Hans Hofman. Guccione infused social realism, cubism, surrealism and abstraction with her own indefinable and audacious style, creating an independent mythology and challenging social conventions in her art and life. Women populate her canvases in wonderland environments, alongside animals, architecture, and fantastical landscapes, at times hinting to world events, other times mystic explorations. The writer and poet Anais Nin said of Juanita, "Few people can paint the world of our dreams with as much magic, precision and clarity." Guccione's work continued to evolve and elude the interpretations of critics worldwide-- ultimately to her peril, as her name and art fell into relative obscurity.
The art critic Michael Welzenbach of the Washington Post writes that Guccione's "single-minded approach to her work, (her) willingness to follow its development wherever that might lead...locates (her) squarely among the few but formidable ranks of the modernist avant-garde--a group whose integrity and vision will not be seen again in this century."
LECTURE
Renowned author and art historian, Susan L. Aberth wrote the first monograph on the artist Leonora Carrington, Leonora Carrington: Surrealism, Alchemy and Art (2010), and is currently writing for the upcoming monograph of Juanita Guccione. Susan is recognized for her research in the fields of women artists and the Surrealist movement, as well as all Latin American art. She received her PhD in Art History from the Graduate Center of the City University of New York and is currently an Associate Professor of Art History at Bard College.
The exhibition and lecture are presented in partnership with Weinstein Gallery of San Francisco, California. The exhibition and lecture will be presented in Seligmann's Studio. Admission is free.
Juanita Guccione, Symphony in Orange, Oil on canvas, 27 x 34", 1937
Monday, August 11, 2014
Thursday, July 31, 2014
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Monday, July 21, 2014
7/27/14: The Seligmann Center and the Warwick Summer Arts Festival Partner to Present the Warwick Summer Dance Festival at the Seligmann Center. Admission by donation.
8/2/14: The College of Poetry Workshop presents “Capturing the Muse: A Workshop in Radical Imagination” led by Steve Hirsch. Followed by a Poetry on the Loose reading by New York City poets Michael Graves and Robert Viscusi.
Workshop:1pm, Reading: 3:30pm
8/14/14: The Seligmann Center presents The Steve Frieder Group as part of the Hudson Valley Jazz Festival. 9pm. Tickets: 845.469.9459
8/23/14: Tibetan Singing Bowls Presentation, 6:30-8:30pm
9/4/14: Annual Late Summer Open House with Local Fare, an Exhibition Preview, and Recognition of the Seligmann Award Winner
9/6/14: College of Poetry Workshop Led by James Cotter(1pm), Poetry on the Loose Reading (3:30pm)
9/13/14: Opening Reception of Juanita Guccione: A Retrospective, 5:00pm-8:00pm.
Unless otherwise noted, events are free and held in Seligmann's Studio (Second level of barn. Enter by rear parking lot.)
23 White Oak Drive,
Chester, NY 10981
8/2/14: The College of Poetry Workshop presents “Capturing the Muse: A Workshop in Radical Imagination” led by Steve Hirsch. Followed by a Poetry on the Loose reading by New York City poets Michael Graves and Robert Viscusi.
Workshop:1pm, Reading: 3:30pm
8/14/14: The Seligmann Center presents The Steve Frieder Group as part of the Hudson Valley Jazz Festival. 9pm. Tickets: 845.469.9459
8/23/14: Tibetan Singing Bowls Presentation, 6:30-8:30pm
9/4/14: Annual Late Summer Open House with Local Fare, an Exhibition Preview, and Recognition of the Seligmann Award Winner
9/6/14: College of Poetry Workshop Led by James Cotter(1pm), Poetry on the Loose Reading (3:30pm)
9/13/14: Opening Reception of Juanita Guccione: A Retrospective, 5:00pm-8:00pm.
Unless otherwise noted, events are free and held in Seligmann's Studio (Second level of barn. Enter by rear parking lot.)
23 White Oak Drive,
Chester, NY 10981
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